![]() ![]() ![]() Tired from shooting the festival since the early hours, Jafé decided to take a break and sat down on the pavement. The sun was finally setting after a hot day. It was late afternoon in the streets of Asakusa during a festival. While working as a hostess in Tokyo, Jafé quickly understood that women had very little autonomy when it came to decision-making, and she realised that if she was serious about pursuing her project, she needed to get permission from a Yakuza boss. ![]() What it came down to in the end was sheer perseverance time invested in research, meeting people, learning the language and further deepening her understanding of Japanese culture. But she cites one film, Gokudo no tsumamachi (1986), which tells the stories of two Yakuza wives, as being a driving inspiration behind the work.Īs expected, getting access to this notoriously closed community wasn’t an easy task. Watching old samurai films, Jafé realised that the women of the underworld seldom made it into the spotlight. While there, a project that at first seemed impossible became possible, when she managed to gain access to the rarely seen lives of women associated with the Yakuza – one of Japan’s largest organised crime syndicates. Led by a fascination of Japanese culture, Chloé Jafé moved to Japan, a country where she barely knew anyone and spoke very little of the language. For her series I give you my life (命預けます), photographer Chloé Jafé infiltrated the infamous Japanese crime syndicate, capturing the often overlooked lives of Yakuza wives. ![]()
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